![]() Against the dispassionate greed of wealth-hoarding, resource-churning grown-ups, Lockwood & Co. In Hughes’s film The Breakfast Club, the teens stuck in weekend detention agreed that when you grow up, your heart dies in Lockwood & Co., Cornish pushes that statement to its figurative extreme, and puts it under a financial lens. As creator, showrunner, and writer-director of the premiere and finale episodes, Cornish sharpens that characterization in Lockwood & Co., in which adults get rich off the life-threatening exertion of children. Think of how Boyega’s Moses characterizes the government’s reaction to aliens killing Black and POC teens in Attack the Block - “They don’t care, man” - and how cops will later blame him for the murders. There isn’t a ton of intergenerational trust in Cornish’s filmography, and that’s because it hasn’t been earned. The Cornish cinematic universe is full of latchkey working-class kids figuring out, on their own, how to fill their after-school and weekend hours while their parents toil to keep them afloat, and instead of offering support or protection, police, teachers, and other guardians usually occupy accusatory and antagonistic roles. With Lockwood & Co., Cornish makes that elder-youth divide explicit, and weights it with confrontational commentary. These stories consistently center adolescent emotion as a driving force of action, and Attack the Block and The Kid Who Would Be King employed an implied binary in which adults were either intimidating or irrelevant. as a gateway to explore how teens feel, what they’re scared of and what they yearn for, and how they want to prove themselves to their friends and comrades in arms. Cornish uses the sci-fi and horror genres - the aliens of Attack the Block, the medieval world of The Kid Who Would be King, and the ghosts of Lockwood & Co. But what has become more clear in the years since that John Boyega–starring cult hit about teens defending their South London neighborhood from invading extraterrestrials is that Cornish’s cinematic mind-set owes a debt to teen whisperer John Hughes, too. ![]() With his first film, 2011’s Attack the Block, Cornish drew comparisons to the ’80s oeuvre of Steven Spielberg, with whom he worked on The Adventures of Tintin many times has this viral tweet about kids killing aliens with hammers been reshared with a One Perfect Shot–style joke tying together Attack the Block and Spielberg’s E.T.: The Extra Terrestrial. It’s the adults as bad bosses and abusive employers, and in his first TV series, Cornish has crafted a coming-of-age narrative that stands in for a kind of class war. The ghosts aren’t the enemies in the stylishly designed and smartly written Lockwood & Co. What makes you so special?” Lucy’s mother scoffs when her daughter shares her fear she prefers pocketing Lucy’s wages to protecting her child. Jacobs’s office dedicated to the dozens of teens from their small town who have died in service to agencies like his. The two adults breeze through the fact that it will be Lucy’s responsibility to “safeguard herself at all times,” and ignore the monument outside Mr. ![]() Jacobs patronizingly tells Lucy to smile, while her mother ensures she’ll receive Lucy’s salary for detecting and destroying ghosts and the objects that tie them to this plane. There’s no power attached to these gifts, no real social or financial capital. If there’s something strange in your neighborhood, call the child soldiers. Only teenagers who reveal extrasensory abilities are strong enough to fight the ghosts, or “visitors,” and they work for agencies that underbid one another for jobs and send their young employees out on dangerous missions. The world is decades into a ghost pandemic, with undead spirits floating amok at night, trapping people into comalike “ghost lock” with eye contact, and killing them with one touch. Jacobs (Andrew Woodall) discuss her contract. In “This Will Be Us,” the first episode of Joe Cornish’s Netflix series Lockwood & Co., 13-year-old Lucy (Ruby Stokes) sits in a drab office, her gaze unfocused as her mother (Sandra Huggett) and her future employer Mr. Spoilers follow for the first season of Netflix’s Lockwood & Co. There is no recourse for Lucy (Ruby Stokes), Lockwood (Cameron Chapman), and George (Ali Hadji-Heshmati) against the adults who have set up a new world order designed to exploit them.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |